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2003

Topdog/Underdog

Written by Suzan-Lori Parks

Play Details

Context

Artistic Director
Ian Rickson

Co-production with Public Theater NY

Dates Performed

Wednesday 6th August 2003
Jerwood Theatre Downstairs

Play Details

Synopsis

A cramped, seedy apartment in present-day America. The air thick with tension and the ghosts of the past.

Topdog/Underdog follows the volatile relationship between Lincoln and Booth, two African-American brothers haunted by their shared history of abandonment. Lincoln, the elder, makes his living as an Abraham Lincoln impersonator at a local arcade, while Booth dreams of mastering the street hustle of three-card monte. As their precarious lives intertwine, Suzan-Lori Parks crafts a searing exploration of sibling rivalry, racial identity, and the American Dream.

Through darkly comic situations, Parks delves into themes of legacy, masculinity, and the cycle of poverty. As tensions mount and long-buried resentments surface, we’re left to wonder: in a world stacked against them, can either brother truly come out on top?

Topdog/Underdog offers a powerful, poetic look at the struggles of two men trying to outrun their past and secure their future in a society that seems rigged against them.

Director(s)

George C Wolfe

Cast & Creative

Cast

Jeffrey Wright

Cast

Mos Def

What our readers say

 

Lincoln, a black man, works as an Abraham Lincoln impersonator at a tourist site. His younger brother, Booth, aspires to master Lincoln’s former con game, the 3-card monte, though he’s more adept at shoplifting. As the play unfolds, their shared history of abandonment, Booth’s romantic woes, and Lincoln’s job loss come to the fore, culminating in a tense card game that dredges up past hurts.

 

What’s it like reading this play now?

The story and issues still feel relevant today – marginalised people doing whatever they can to survive. The themes of racism, structural inequality & whitewashed history are as current now as they were 20 years ago. The sibling rivalry at the heart of the story gives it a timeless quality – this is a play about brotherhood and betrayal.

 

If you like this, you might like…?

The films Queen and Slim and Good Time 

 

Standout Moment

My fave moment is when Booth is trying to help Lincoln save his job by making his death as Abraham Lincoln more “dramatic” and they’re rehearsing the moment he gets shot. The stage directions say, “Lincoln slumps down on the floor and silently wiggles around.” Then Booth says “You look like a worm on the sidewalk.” A lovely light moment in an emotionally intense play.

 


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Want to read the script?

 

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