Play Details
Context
Artistic Director
Ian Rickson
Co-production with Public Theater NY
Dates Performed
Wednesday 6th August 2003
Jerwood Theatre Downstairs
Play Details
Synopsis
A cramped, seedy apartment in present-day America. The air thick with tension and the ghosts of the past.
Topdog/Underdog follows the volatile relationship between Lincoln and Booth, two African-American brothers haunted by their shared history of abandonment. Lincoln, the elder, makes his living as an Abraham Lincoln impersonator at a local arcade, while Booth dreams of mastering the street hustle of three-card monte. As their precarious lives intertwine, Suzan-Lori Parks crafts a searing exploration of sibling rivalry, racial identity, and the American Dream.
Through darkly comic situations, Parks delves into themes of legacy, masculinity, and the cycle of poverty. As tensions mount and long-buried resentments surface, we’re left to wonder: in a world stacked against them, can either brother truly come out on top?
Topdog/Underdog offers a powerful, poetic look at the struggles of two men trying to outrun their past and secure their future in a society that seems rigged against them.
Cast & Creative
Cast
Jeffrey Wright
Cast
Mos Def
What our readers say
Lincoln, a black man, works as an Abraham Lincoln impersonator at a tourist site. His younger brother, Booth, aspires to master Lincoln’s former con game, the 3-card monte, though he’s more adept at shoplifting. As the play unfolds, their shared history of abandonment, Booth’s romantic woes, and Lincoln’s job loss come to the fore, culminating in a tense card game that dredges up past hurts.
What’s it like reading this play now?
The story and issues still feel relevant today – marginalised people doing whatever they can to survive. The themes of racism, structural inequality & whitewashed history are as current now as they were 20 years ago. The sibling rivalry at the heart of the story gives it a timeless quality – this is a play about brotherhood and betrayal.
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The films Queen and Slim and Good Time
Standout Moment
My fave moment is when Booth is trying to help Lincoln save his job by making his death as Abraham Lincoln more “dramatic” and they’re rehearsing the moment he gets shot. The stage directions say, “Lincoln slumps down on the floor and silently wiggles around.” Then Booth says “You look like a worm on the sidewalk.” A lovely light moment in an emotionally intense play.