Play Details
Context
Artistic Director
George Devine
Part Of
Sunday Night Productions Without Décor
Dates Performed
Sunday 9th December 1962
Main House (Downstairs)
Play Details
Synopsis
A rural English village becomes the stage for a chilling exploration of isolation, violence, and the human capacity for both.
In Bond’s unsettling debut play, we follow Scopey, a young man whose seemingly ordinary life takes a dark turn when he becomes obsessed with Alen, a reclusive old man living on the outskirts of the village. As Scopey’s fascination grows, he begins neglecting his new wife Pat and his relationships with the other villagers, including his friend Bill.
The play’s structure, a series of episodic scenes, mirrors the fragmented nature of village life and the characters’ internal struggles. Bond’s dialogue crackles with raw authenticity, capturing the cadences of rural speech while revealing the undercurrents of frustration and despair that run through the community. As Scopey’s visits to Alen become more frequent, the boundaries between curiosity, care, and cruelty blur, leading to a shocking and inevitable climax.
The Pope’s Wedding offers a stark critique of societal norms and the potential for violence that lurks beneath the surface of everyday life. Through its unflinching portrayal of Scopey’s descent into obsession and brutality, the play explores themes of alienation, masculine identity, and the struggle for meaning in a world that seems to offer little purpose. Bond’s innovative approach to theatrical form and his uncompromising vision announced the arrival of a major new voice in British drama.
Cast & Creative
Cast
Janie Booth
Cast
Julian Chagrin
Cast
Lawerence Craine
Cast
David Ellison
Cast
Harold Goodwin
Cast
Adrienne Hill
Cast
Philip Lowrie
Cast
George Ogilvie
Cast
Malcom Patton
Cast
Michael Standing
Cast