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1962

The Pope's Wedding

Written by Edward Bond

Play Details

Context

Artistic Director 
George Devine

Part Of
Sunday Night Productions Without Décor

Dates Performed

Sunday 9th December 1962
Main House (Downstairs)

Play Details

Synopsis

A rural English village becomes the stage for a chilling exploration of isolation, violence, and the human capacity for both.

In Bond’s unsettling debut play, we follow Scopey, a young man whose seemingly ordinary life takes a dark turn when he becomes obsessed with Alen, a reclusive old man living on the outskirts of the village. As Scopey’s fascination grows, he begins neglecting his new wife Pat and his relationships with the other villagers, including his friend Bill.

The play’s structure, a series of episodic scenes, mirrors the fragmented nature of village life and the characters’ internal struggles. Bond’s dialogue crackles with raw authenticity, capturing the cadences of rural speech while revealing the undercurrents of frustration and despair that run through the community. As Scopey’s visits to Alen become more frequent, the boundaries between curiosity, care, and cruelty blur, leading to a shocking and inevitable climax.

The Pope’s Wedding offers a stark critique of societal norms and the potential for violence that lurks beneath the surface of everyday life. Through its unflinching portrayal of Scopey’s descent into obsession and brutality, the play explores themes of alienation, masculine identity, and the struggle for meaning in a world that seems to offer little purpose. Bond’s innovative approach to theatrical form and his uncompromising vision announced the arrival of a major new voice in British drama.

Director(s)

Keith Johnstone

Cast & Creative

Cast

Janie Booth

Cast

Julian Chagrin

Cast

Lawerence Craine

Cast

David Ellison

Cast

Harold Goodwin

Cast

Adrienne Hill

Cast

Philip Lowrie

Cast

George Ogilvie

Cast

Malcom Patton

Cast

Michael Standing

Cast

Malcolm Taylor

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