The Cry of the People for Meat

Synopsis

In a series of vivid, puppet-driven vignettes, Schumann retells biblical stories to comment on contemporary issues of war, poverty, and resistance.

The play begins with a creation myth and moves through Old Testament stories, including Adam and Eve, Cain and Abel, and Noah’s flood. It then shifts to the New Testament, focusing on the life of Jesus, from his birth to the Last Supper and Crucifixion. Throughout, Schumann interweaves modern imagery and political commentary, drawing parallels between biblical narratives and current events.

Schumann’s innovative use of puppetry, masks, and found objects creates a visually striking and emotionally powerful spectacle. The play’s non-linear structure and mix of sacred and profane elements challenge traditional interpretations of biblical stories. By juxtaposing ancient myths with contemporary concerns, The Cry of the People and the Meat offers a radical critique of social injustice, militarism, and the human condition.