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1987

The Colored Museum

Written by George C. Wolfe

Play Details

Context

Artistic Director 
Max Stafford-Clark

Dates Performed

Wednesday 29th July 1987
Jerwood Theatre Downstairs

Play Details

Synopsis

A provocative and satirical series of vignettes exploring African American identity, culture, and history through the metaphor of a museum.

The Colored Museum consists of 11 “exhibits” that challenge stereotypes and confront the complexities of Black American experience. Each vignette features different characters and scenarios, ranging from satirical to poignant:

  1. “Git on Board” – A flight attendant welcomes passengers onto a slave ship.
  2. “Cookin’ with Aunt Ethel” – A cooking show parody exploring Black stereotypes.
  3. “The Photo Session” – A glamorous couple trapped in the pages of Ebony magazine.
  4. “Soldier with a Secret” – A haunting monologue from a Black soldier.
  5. “The Gospel According to Miss Roj” – A flamboyant drag queen delivers a sermon on survival.
  6. “The Hairpiece” – Two wigs argue over a woman’s identity.
  7. “The Last Mama-on-the-Couch Play” – A satire of Black family dramas.
  8. “Symbiosis” – A man confronts his younger, more radical self.
  9. “Lala’s Opening” – An entertainer struggles with her identity.
  10. “Permutations” – A young woman gives birth to an egg filled with possibilities.
  11. “The Party” – A celebratory finale embracing the complexity of Black identity.

Wolfe’s play uses humour, music, and bold theatrical devices to explore themes of historical trauma, cultural assimilation, self-identity, and the multiplicity of Black experience. By framing these vignettes as museum exhibits, the play invites audiences to critically examine how Black culture and identity have been represented and preserved.

Director(s)

L. Kenneth Richardson

Content Warning

Contains discussions of slavery, racism, and violence

Cast & Creative

Cast

Loretta Devine

Cast

Tommy Hollis

Cast

Reggie Montgomery

Cast

Vickilyn Reynolds

Cast

Danitra Vance

Designer

Brian Martin

Lighting

Victor En You Tan

Costume

Nancy L. Konrardy

What our readers say

 

What is it like reading the play now?

It remains strikingly relevant, utilising a cabaret-like style that aligns seamlessly with contemporary theatre. The play audaciously critiques America’s deep-rooted history of racism whilst simultaneously celebrating African-American culture with captivating flair.

 

What does the play speak to?

I think it feels hugely connected to cabaret/drag style shows (for example: Sounds of the Underground), as well as plays such as ‘Slave Play’ by Jeremy O’Harris.

 

What films or music does it make you think of?

“Moonlight”, with its episodic nature, evokes a similar exploration of the experiences of queer black men. Another Barry Jenkins work, “Underground Railroad”, also springs to mind.


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