Play Details
Context
Artistic Director
George Devine
Translated By
Derek Prouse
Original Language
French
Dates Performed
Thursday 28th April 1960
Main House (Downstairs)
Wednesday 8th June 1960
The Strand
Play Details
Synopsis
A provincial French town
Berenger, an indifferent worker, barely notices when rhinoceroses start showing up in town. But as friends and colleagues begin transforming into these beasts, he grapples with how to resist the same fate.
The play delves into the tension between social conformity and individualism, exposing the irrationality of the middle class and their tendencies towards fascism.
Cast & Creative
Cast
Monica Evans
Cast
Laurence Olivier
Cast
Duncan Macrae
Cast
Henry Woolf
Cast
Margery Caldicott
Cast
Hazel Hughes
Cast
Geoffrey Lumsden
Cast
Michael Bates
Cast
Will Stampe
Cast
Joan Plowright
Cast
Alan Webb
Cast
Miles Malleson
Cast
Peter Sallis
Cast
Gladys Henson
Cast
Philip Anthony
Cast
Laurence Olivier
Cast
Duncan Macrae
Cast
Henry Woolf
Cast
Margery Caldicott
Cast
Hazel Hughes
Cast
Geoffrey Lumsden
Cast
Michael Bates
Cast
Will Stampe
Cast
Joan Plowright
Cast
Alan Webb
Cast
Miles Malleson
Cast
Peter Sallis
Cast
Gladys Henson
Cast
Philip Anthony
Translator
Derek Prouse
Designer
Orson Welles
Costume
Stuart Stallard
Ionesco Sketches
What our readers say
What’s it like reading the play now? How has it aged?
The play remains striking even today. It masterfully captures the subtle shifts in social conformity, showing how individuals can adopt ideologies without even realising. The circular, nonsensical debates are both humorous and chilling. By Act Three, Berenger’s self-doubt amidst a majority of Rhinoceroses is a poignant commentary on the isolating effects of being an outlier in society. It demonstrates how one can start doubting oneself, not necessarily because they align with the prevailing views, but because they feel out of place for not doing so. However, there’s a brief racial slur that now feels jarring and unnecessarily alienating, indicating some aspects of the play haven’t aged well.
What does it tell us about the past and the present?
Delving deeper beyond the surface, the play is a response to the French middle classes’ passive acceptance of Nazism, particularly their collaboration with the Vichy regime during WW2. It’s both a retrospective critique and a cautionary tale. At its core, it’s an exploration of human nature, revealing the ease with which people can conform, the speed at which it occurs, and the immense challenge of resisting such conformity. Its themes remain pertinent today, even if one doesn’t directly associate it with specific historical or contemporary events
If you like this play, you might also like…?
The Bald Soprano by Eugène Ionesco, The Lesson by Eugène Ionesco