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2007

Rhinoceros

Written by Eugene Ionesco

Play Details

Context

Artistic Director 
Dominic Cooke

Dates Performed

Friday 21st September 2007
Jerwood Theatre Downstairs

Play Details

Synopsis

 

A provincial French town

Berenger, an indifferent worker, barely notices when rhinoceroses start showing up in town. But as friends and colleagues begin transforming into these beasts, he grapples with how to resist the same fate.

The play delves into the tension between social conformity and individualism, exposing the irrationality of the middle class and their tendencies towards fascism.

Director(s)

Dominic Cooke

Other productions

Cast & Creative

Cast

Benedict Cumberbatch

Cast

David Hinton

Cast

Lloyd Hutchinson

Cast

Zawe Ashton

Cast

Paul Chahidi

Cast

Alwyne Taylor

Cast

Jacqueline Defferary

Cast

Jasper Britton

Cast

Michael Bedgley

Cast

Graham Turner

Cast

Claire Prempeh

Designer

Anthony Ward

Lighting

Johanna Town

Costume

Iona Kenrick

Sound

Ian Dickinson

Assistant Director

Lyndsey Turner

Deputy Stage Manager

Charlotte Newell

What our readers say

 

What’s it like reading the play now? How has it aged? 

The play remains striking even today. It masterfully captures the subtle shifts in social conformity, showing how individuals can adopt ideologies without even realising. The circular, nonsensical debates are both humorous and chilling. By Act Three, Berenger’s self-doubt amidst a majority of Rhinoceroses is a poignant commentary on the isolating effects of being an outlier in society. It demonstrates how one can start doubting oneself, not necessarily because they align with the prevailing views, but because they feel out of place for not doing so. However, there’s a brief racial slur that now feels jarring and unnecessarily alienating, indicating some aspects of the play haven’t aged well.

 

What does it tell us about the past and the present? 

Delving deeper beyond the surface, the play is a response to the French middle classes’ passive acceptance of Nazism, particularly their collaboration with the Vichy regime during WW2. It’s both a retrospective critique and a cautionary tale. At its core, it’s an exploration of human nature, revealing the ease with which people can conform, the speed at which it occurs, and the immense challenge of resisting such conformity. Its themes remain pertinent today, even if one doesn’t directly associate it with specific historical or contemporary events

 

If you like this play, you might also like…? 

The Bald Soprano by Eugène Ionesco, The Lesson by Eugène Ionesco

 

 

 

More Absurdist plays

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Happy Days

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The Room

The Room

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The Chairs

The Chairs

1997

Eugene Ionesco

Want to read the script?

 

Visit the Royal Court Bookshop