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1970

Rats Mass

Written by Adrienne Kennedy

Play Details

Context

Artistic Director
William Gaskill, Lindsay Anderson & Anthony Page

Part Of 
Café La Mama Season

Dates Performed

Tuesday 19th May 1970
Jerwood Theatre Downstairs

Play Details

Synopsis

In the rat’s house at twilight. Post-WWII

A surreal conversation in one act. Non-chronological and absurd, the play takes the shape of a hazy, half-remembered nightmare.

In a blood-soaked ‘Cathedral’, two Black children, presented as anthropomorphic rats, unpack their shared trauma and their former love for a White girl named Rosemary. All whilst in the presence of an ominous parade of Biblical figures.

Director(s)

Ching Yeh

Photo credit

All images and archival material courtesy of the La MaMa Archive

Cast & Creative

Cast

Lamar Alford

Cast

Patrick Burke

Cast

Michele Collison

Cast

Sabin Epstein

Cast

Patricia Gaul

Cast

William Griffin Duffy

Cast

Arthur Hall

Designer

C.J. Strawn

What our readers say

 

What is it like reading this play now?

With so much distance from the original production, reading this play today is tricky. The script itself seems intended to be a foundation for a prospective director rather than a blueprint. It establishes very little yet offers a huge deal of creative freedom for production to build upon. So much of this piece relies on sound design, visuals, performance choices, and stagecraft that, engaging with the script alone, offers only a small peek into this dreamlike world. The themes of social divides based on class and race are of course still very prevalent and relatable today. As too, is the unpacking of the shared trauma a society can experience following a cataclysmic world event such as a global war (or pandemic!)

 

If you like this play, you might also like…

With so much distance from the original production, reading this play today is tricky. The script itself seems intended to be a foundation for a prospective director rather than a blueprint. It establishes very little yet offers a huge deal creative freedom for a production to build upon. So much of this piece relies on sound design, visuals, performance choices and stagecraft that, engaging with the script alone, offers only a small peek into this dreamlike world. The themes of social divides based on class and race are of course still very prevalent and relatable today. As too, is the unpacking of the shared trauma a society can experience following a cataclysmic world event such as a global war (or pandemic!)


More by Adrienne Kennedy

Funnyhouse of a Negro

Funnyhouse of a Negro

1968

Adrienne Kennedy

A Lesson in a Dead Language

A Lesson in a Dead Language

1968

Adrienne Kennedy