Skip to main content
1986

Prairie du Chien and The Shawl

Written by David Mamet

Play Details

Context

Artistic Director 
Max Stafford-Clark

Dates Performed

Wednesday 4th June 1986
Jerwood Theatre Upstairs

Play Details

Synopsis

Prairie du Chien

A sleeper train rumbles through Wisconsin in 1910, where strangers exchange dark tales in the dead of night.

The Storyteller, a traveling salesman, recounts a chilling tale of jealousy, murder, and supernatural occurrences to The Listener as they journey westward. Meanwhile, a high-stakes card game between The Dealer and The Gin Player escalates to violence. As the train makes its way to Prairie du Chien, the lines between past and present, reality and nightmare, begin to blur.

Mamet’s play is a masterful blend of ghost story and psychological thriller, exploring themes of guilt, memory, and the power of storytelling. The dialogue is spare and rhythmic, with long pauses that build tension and unease. The constant background noise of the train serves as both setting and metaphor, underscoring the characters’ sense of being trapped in a liminal space between destinations. Through the interweaving narratives of the card players and the storyteller, the play examines how violence and trauma echo through time, leaving invisible but lasting marks on both individuals and communities. “Prairie du Chien” is a haunting meditation on the stories we tell ourselves and others to make sense of the inexplicable.

 

The Shawl

A dimly lit office where a dubious psychic attempts to manipulate his clients and protégé.

John, an aging con artist posing as a psychic, takes on Charles as an apprentice in his fraudulent practices. Their relationship is tested when Miss A, a grieving woman seeking to contact her deceased mother, becomes their latest mark. As John’s “readings” become increasingly elaborate, the lines between deception and genuine intuition begin to blur.

Mamet’s play is a taut psychological thriller that explores themes of deception, exploitation, and the human need for belief. Through sharp, staccato dialogue and tense silences, the playwright examines the complex dynamics between the manipulator and the manipulated. The three-act structure mirrors the escalating stakes of a confidence game, with each character’s motivations and vulnerabilities gradually revealed. “The Shawl” challenges audiences to question the nature of faith, the ethics of exploitation, and the fine line between insight and illusion in human interactions.

Director(s)

Richard Eyre

Cast & Creative

Cast

David de Keyser

Cast

Connie Booth

Cast

Michael Feast