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1970

Lulu

Written by Frank Wedekind

Play Details

Context

Artistic Director
William Gaskill, Lindsay Anderson & Anthony Page

Co-production with Nottingham Playhouse

Translated By 
Charlotte Beck

Original Language 
German

Adapted By 
Peter Barnes

Dates Performed

Tuesday 8th December 1970
Jerwood Theatre Downstairs

Play Details

Synopsis

Lulu prowls the stage like a caged animal, her allure both captivating and perilous. Introduced by an ‘Animal Tamer’ in the prologue, she embodies the wild, untamed spirit of womanhood—a primal force that defies societal constraints. Lulu is rescued from destitution by the affluent newspaper magnate Dr Schön, who molds her into his lover, only to cast her aside for a more socially acceptable match, marrying her off to the hapless Dr Goll.

In the charged atmosphere of Act One, Lulu entices the painter Schwarz during a portrait session, leading to Dr Goll’s fatal heart attack upon discovering their tryst. Act Two sees her wed to Schwarz, whose newfound success, aided by Schön, crumbles as he learns of her past, leading him to a tragic end. Lulu’s entanglements deepen in Act Three, as she mesmerizes Schön’s son Alwa and performs in a revue, forcing Schön to sever his engagement. By Act Four, she is Schön’s wife but remains unfaithful, leading to Schön’s demise at her hand when he urges her to commit suicide. Lulu‘s escape from prison with the help of the devoted Countess Geschwitz spirals into a downward trajectory culminating in her murder by Jack the Ripper in Pandora’s Box. This sequel sees her stripped of her allure and wealth, ending in a squalid garret, her life extinguished by the very darkness she once embodied.

Pandora’s Box continues Lulu’s saga post-escape, navigating through betrayal, blackmail, and relentless pursuit. The characters, from the manipulative Rodrigo Quast to the sinister Casti-Piani, reflect the pervasive corruption. The tragic Countess Geschwitz remains by her side, driven by unrequited love. The climax in London, with Lulu reduced to prostitution, paints a harrowing portrait of fallen grace and ultimate retribution. Her demise, orchestrated by Jack the Ripper, seals her fate as both a victim and a symbol of destructive desire.

The duality of Lulu—a femme fatale and a victim of a patriarchal society—renders her a complex, ambiguous figure, oscillating between empowerment and exploitation. The plays’ vivid depiction of greed, lust, and societal decay underscores the timeless struggle between individual autonomy and societal constraints, making Lulu a haunting reflection of human nature’s darkest impulses.

Director(s)

Peter Barnes, Stuart Burge

Poster credit

Poster courtesy of V&A Theatre and Performance Archive

Cast & Creative

Cast

Sheila Ballantine

Cast

Michael Byrne

Cast

Julia Foster

Cast

Marilyn Fridjon

Cast

Jo Garrity

Cast

John Grillo

Cast

Paul Hennen

Cast

John Justin

Cast

Leonard Kavangh

Cast

Chris Martin

Cast

Maggy Maxwell

Cast

Tom Owen

Cast

Edward Petheridge

Cast

John Philips

Cast

Francis Thomas

Cast

John Turner

Cast

John Whiting

Translator

Charlotte Beck

Designer

Patrick Robertson

Costume

Rosemary Vercoe

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