Play Details
Context
Artistic Director
William Gaskill
Co-Production With Criterion Theatre
Dates Performed
Tuesday 29th October 1968
Main House (Downstairs)
Tuesday 10th December 1968
Criterion Theatre
Play Details
Synopsis
A one-room flat in the English Midlands in the 1950s
Jimmy Porter, a disillusioned young man from a working-class background, rages against the establishment and his wife Alison’s upper-class upbringing. Their cramped attic flat becomes a battleground of verbal abuse and emotional manipulation, with Jimmy’s friend Cliff caught in the crossfire. When Alison’s friend Helena arrives, she initially clashes with Jimmy but eventually replaces Alison when she leaves. The play culminates in a dramatic confrontation when a changed Alison returns, forcing Helena to depart and leaving Jimmy and Alison to reconcile through a bittersweet fantasy game.
Osborne’s groundbreaking play explores themes of class conflict, generational anger, and marital disillusionment through Jimmy’s vitriolic monologues and the characters’ complex relationships. The kitchen-sink realism of the setting contrasts sharply with the almost poetic intensity of Jimmy’s tirades, creating a gritty yet lyrical atmosphere. The tone oscillates between caustic humor and raw emotion, with moments of tenderness punctuating the overall sense of frustration and despair. Osborne’s style, marked by long, impassioned speeches and naturalistic dialogue, revolutionized British theater and gave voice to a generation’s discontent.
Cast & Creative
Cast
Jane Asher
Cast
Victor Henry
Cast
Edward Jewesbury
Cast
Caroline Mortimer
Cast
Martin Shaw
Designer
Tony Abbott
Designer
Donald Taylor
Costume
Anne Gainsford
What the readers said
A realist, single location, three-act drama, set over a period of a few months.
Rain pours. A car crash leads TV presenter Stella to the rural home of grieving ex-photographer David. Haunted by CCTV scenes of a girl being abducted, Paula wanders the streets. Alex and his mates head out for a night of hedonism in the city’s gay clubs.
What does it tell us about the past and present?
The way The Mother and Shirley openly talk about domestic violence towards women in the home by their partners (current and Ex’s) screamed off the page, because it had such a air of normality about it. Massive shift since me too movement – wonder how this would resonate now?
What does the play speak to?
Look Back in Anger’s influence on British playwriting in the latter half of the 20th Century was so huge that it’s hard to identify just one or two texts that it speaks to. Shelagh Delaney’s ‘A Taste of Honey’ is another major work from this period that is seen as sitting in a similar genre and that also went on to become an often-revived classic.