Skip to main content
2009

Jerusalem

Written by Jez Butterworth

Play Details

Context

Artistic Director 
Dominic Cooke

Dates Performed

Monday 13th July 2009
Jerwood Theatre Downstairs

Play Details

Synopsis

West Country, England

Johnny “Rooster” Byron is a charismatic and defiant figure living in a caravan in a wooded area known as Rooster’s Copse, near the village of Flintock, Wiltshire. The play takes place on St. George’s Day, with Johnny facing eviction by the local council while being visited by a mix of local residents, including his son, rebellious teenagers, and his friends. The plot revolves around Johnny’s struggle against the societal forces trying to remove him from his land and his resistance to the encroaching modernisation and sanitisation of rural life. As the day progresses, Johnny’s interactions reveal his past glories and current troubles, culminating in a confrontation that questions the essence of English identity and heritage.

The play’s themes include resistance, mythology, and English identity. The tone is a mix of dark comedy and drama, with moments of lyrical beauty juxtaposed against raw, gritty dialogue. The style is naturalistic, with a strong sense of place and character, enhanced by Butterworth’s poetic language. The narrative is linear, following the events of a single day but enriched with stories and myths that Johnny recounts, blending the mundane with the mythical. The form is a three-act structure, each act delving deeper into Johnny’s character and the pressures he faces from the community and authorities.

Director(s)

Ian Rickson

Photo credit

Rehearsal  images credited to Simon Annand

Production images credited to Tristam Kenton

Cast & Creative

Cast

Mark Rylance

Cast

Mackenzie Crook

Cast

Alan David

Cast

Tom Brooke

Cast

Danny Kirrane

Cast

Gerard Horan

Cast

Barry Sloane

Cast

Aimee-Ffion Edwards

Cast

Lucy Montgomery

Cast

Dan Poole

Cast

Lennie Harvey

Designer

Ultz

What our readers say

 

What is it like reading this play now?

The play delves into the question of who truly belongs to England and the role of the law. While some 2009 critics saw Johnny as symbolising the decline of the British Empire, his GRT heritage remains a point of contention, reflecting today’s debates on immigration and acceptance. It critiques powerful figures like Bush and Blair while highlighting the plight of the marginalized. Pagan references resonate with today’s environmental concerns and our treatment of different belief systems. Some language may feel outdated but remains realistic.

 

What films or music does it make you think of?

Mark Jenkin’s ‘Bait’ (2019) – the displacement of local people for money that’s not of the region; local tensions; and the air of tragedy.

 

 

Want to read the script?

 

Visit the Royal Court bookshop