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1962

Happy Days

Written by Samuel Beckett

Play Details

Context

Artistic Director 
George Devine

Dates Performed

Thursday 1st November 1962
Main House (Downstairs)

Play Details

Synopsis

A scorched grassy expanse with a central mound, anytime, any place

Amidst a scorching sun, middle-aged Winnie, initially buried waist-deep, remains optimistic, frequently chatting with her nearby husband Willie. Despite the discomfort, she continues her daily routine, pulling everyday items, including a gun, from her black bag. As the story progresses, the situation grows grimmer; Winnie becomes buried neck-deep and loses contact with an unresponsive Willie.

Director(s)

George Devine

Other Productions

Cast & Creative

Cast

Brenda Bruce

Cast

Peter Duguid

Designer

Jocelyn Herbert

What our readers say

 

An absurdist comedy-drama steeped in surrealism, devoid of plot progression, with seemingly aimless dialogue. A piece where intentional inactivity takes center stage.

 

What’s it like reading this play now? How has it aged? What does it speak to? 

A challenging read due to its absurdist style and stream-of-consciousness dialogue, accompanied by abundant stage directions. While it’s reminiscent of mid-20th century theatre, its themes remain relevant. It delves into women’s concealed struggles, the disparity between outward appearances and inner realities – pertinent in our social media age – and the timeless pursuit of happiness amidst routine.

 

If you like this play you might also like…?

Waiting for Godot also by Samuel Beckett and other absurd style theatre such as the work of Eugene Ionesco and Pinter’s memory plays e.g. “Landscape.”

 

Want to read the script?

 

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