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1991

A Jamaican Airman Foresees his Death

Written by Fred D'Aguiar

Play Details

Context

Artistic Director 
Max Stafford-Clark

Dates Performed

Friday 5th April 1991
Jerwood Theatre Upstairs

Play Details

Synopsis

Jamaica, and an RAF base in Scotland in the 40s

Alvin, a Black Jamaican man dreams of flying, and World War 2 provides him with the opportunity to live that dream. However, he’s brought down to earth literally and metaphorically when he joins the British RAF experiencing racism from local Scots and is given a dishonourable discharge after making a mistake and firing at a British plane.

The play channels Brecht’s Epic theatre, blending diverse textual forms like dialogue, poetry, and direct address, enhanced by music and reimagined songs. Familiar hymns are given new lyrics. With its non-linear, non-naturalistic approach, the piece offers a montage of brief scenes, featuring a myriad of characters portrayed by a versatile ensemble. The narrative intriguingly starts at Alvin’s story’s climax, then backtracks to unravel how events led to that pivotal moment.

Director(s)

Hettie Macdonald

Cast & Creative

Cast

Jeffrey Chiswick

Cast

Sidney Cole

Cast

Maynard Eziashi

Cast

Maureen Hibbert

Cast

Fraser James

Cast

Clarence Smith

Cast

Geraldine Somerville

Designer

Aldona Cunningham

Designer

Bernard Culshaw

Lighting

Johanna Town

What our readers say

 

This is a play about being an outsider and being seen as “lesser than…” even in a role that usually commands respect i.e. a fighter pilot. The story exposes the mistreatment of servicemen from the British colonies who were dismissed and overlooked despite doing their duty.

What is it like reading this play now? How has it aged? What does it speak to?

This play, though rooted in a historical context, remains painfully pertinent today, particularly in light of events like the Windrush scandal. It highlights the cruel irony faced by people who answered Britain’s call to rebuild post-war, only to later face racism and be sidelined by the very government that once beckoned them. The play sheds light on the deeply ingrained racist notions, like the dehumanising comparisons of Black men to monkeys or presumptions of inherent violence, ideas which unfortunately persist in today’s society. Moreover, it underscores the forgotten contributions of servicemen of colour, whose sacrifices and services have been unjustly overshadowed in the annals of British history.

 

What does it tell you about the past and the present? 

The play underscores the harsh reality that servicemen and women of colour faced discrimination and were not viewed as equals by their white peers. The British government’s exploitation of individuals from the colonies, treating them as dispensable, casts a long shadow over history. It seems that only now are we beginning to truly acknowledge and honour the contributions of these individuals in the wars. Yet, the echoes of this mistreatment persist, evident in recent events like the Windrush scandal and the vile abuse faced by Black footballers. These incidents serve as a stark reminder that, in many ways, British society still grapples with the same deep-rooted prejudices.

 

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Grounded by George Brant. The Two Worlds of Charlie F, Heroine by Nessah Muthy. Minefield by Lola Arias.